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2016Public Commission, "1% artistique"
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2014Kamen
Welcome on the courtroom number 1 of the special building in district court of Belgrade.
2011Les Bosquets
A waterblaster, man,
it's expensive!
2003Conversation
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2009The Attendants
That's why I say to my daughters, I don't leave the Bosquets, I stay here. .
2008The Priest
Pay attention,
Madame.
2008Confession d’un Jeune Militant
A book of primary importance. Show it to me.
2008Socialism ou barbarie
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2007Le Lieu de la Langue
Je ne sais pas où
je me sentirais le mieux,
ici ou là-bas.
2006Prvi Deo
Welcome on the courtroom number 1 of the special building in district court of Belgrade
2005Red Star
Red Star
2002Women in black
2001Otpor
Il y a l'aspiration, le désir,
qui sera utilisé à travers
le pouvoir politique.
2000The Peasants
“The Serbians like to celebrate, they
celebrate a disaster but they celebrate.”
1999Confrontation
Je ne suis pas contre
le fait qu'on soit contre
2000The Peasants
“The Serbians like to celebrate, they
celebrate a disaster but they celebrate.”
“There was a big love, and now all is dull.”“Boss, everywhere, every 100 meters, it’s written ’Super‘.”

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video, color, sound, 18 min

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Shot in Serbia in 1999, just after the war in Kosovo, it begins with a group of peasants, two men and two women, at work, sorting and bundling grapevines. The scene resembles a seventeenth-century genre painting. One of the men, without interrupting his work readying the vines to be bundled, speaks to a third woman who remains off-camera and, with a discernable foreign accent, simultaneously translates his words into French. The man gives his own detailed interpretation of the circumstances that led Serbia to invade Kosovo. As he does so he describes his own opposition both to the war and the politics of Milosevic, a minority position that he openly affirms, both in front of the camera and to those assembled around him.

The films is part of the FRAC Normandie collection.



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