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2019You think the earth is a dead thing
Here's the stronger- than- man you were looking for.
2019125 hectares
on 18 June, I remember, 1983, it wasn’t General de Gaulle’s Appeal of 18 June, but our own.
2016Public Commission,
2014Kamen, the Stones
Urbicide, destruction in Trebinje, as well as in other cities in Bosnia and Herzegovina, started in spring 1992
2011Les Bosquets
The girls, where are they? There’re no girls left here.
2009The Attendants
That's why I say to my daughters, I don't leave the Bosquets, I stay here.
2008The Priest
Pay attention, madam...
2008Confessions d’un Jeune Militant
There’s a book, Stalin, with a green cover.
2008Socialisme ou barbarie
2007The place of Language
Nowadays, attempts are made to standardise the language: to standardise the Gipsy language and its writing.
2006Prvi Deo
Welcome on the courtroom number 1 of the special building in district court of Belgrade
2006Red Star
Many people supported The Red Star, they were called The Valiant Ones
2002Women in black
In the days of crises and wars, parallels are made about women being the equals of warriors
2000The Peasants
We remained friends when Tito was around, when there was only a single party.
2008Socialisme ou barbarie

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Photographic series

In 2008, Florence Lazar created a photographic series that featured French left-wing political ephemera from the postwar era, a project that marked her return to documentary photography. Beginning with Jeune militant, Bulletin d’information des jeunes socialites, each piece of ephemera tracks the intellectual and political activism of the artist’s father, from his precocious political awakening to his subsequent activities as a member of the non-communist left. The series culminated, in 2012, in a further work specially commissioned for the Libelle series of artist’s edition: the presentation of an almost complete set of the influential militant journal Socialisme ou barbarie. The photographic series also inspired a video work, Confessions d’un jeune militant (2008)

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